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[] Telemann Edition (Brilliant 2012) 29CDFLAC/BD

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Telemann - Patrick Peire-Overture in D TWV55 - D17 - I. Ouverture

Album Info

ݼ : Theunis Van der Zwart, Kate Clark, Erwin Wieringa, Remy Baudet, ...
: Georg Philipp Telemann (1681-1767)
ָӼ : Pieter-Jan Belder, Nicol Matt, Iona Brown, Martin Haselböck, ...
: Musica Amphion, Kurpfälzisches Chamber Orchestra, Mannheim Chamber Orchestra, ...
ר : Telemann Edition 29CD Box-Set
ַ : Classical
л : Brilliant Classics
¼ : 1990-2004
: 05/31/2011
ָʽ : FLAC
Ʒ : Lossless | 16-Bit | 44100 Hz | Stereo | 2 Channel
С : 8.40 GB

About Album

Born in 1681, Georg Philip Telemann would inevitably suffer from comparisons with one of the towering figures of western Classical music, born just four years later: Johann Sebastian Bach. Although after his death Telemann may have been constantly cast into the Leipzig composers shadow, during his lifetime he was exalted as Bachs equal and was considered one of the greatest German composers of the early 18th century. Certainly, the size of his output compares very favourably with Bachs; Telemann was also a highly productive composer, writing over 3,000 works during his lifetime (although not all have survived). Despite his popularity falling away in the 19th century, today Telemann is almost as highly regarded as he was in his own lifetime C the large number of new recordings on this edition pays tribute to the flurry of interest that has grown around the composer Telemann over the past 30 years. After starting his career in Leipzig, Telemann became Kapellmeister in Sorau (now Żary in Poland), where by his own estimation he wrote over 200 overtures, imbued with the Polish and French influences of the court that surrounded him. The cornerstone of his output, many of these diverse overtures make up a large part of this disc. Telemann then moved first to Eisenach, in central Germany, followed by Frankfurt, his fame steadily increasing along with his output. Among his new compositions were church cantatas, psalms and other sacred works, as well as instrumental music; he became known for his concertos in the French style, which he valued above the Italian style that was more popular at the time. It was in Frankfurt that he began to write concertos for various different instruments, many of which are to be found in this edition. In 1721, he moved to Hamburg, where C apart from extended trips abroad C he would remain for the rest of his life. At first he enjoyed a stormy relationship with the city; although he was employed by the church, several officials complained that his secular works invited lasciviousness, and called for them to be banned. He was also forced to contend with publishing problems, as he fought for the right to choose his own publisher. Eventually, he threatened to leave the city for Leipzig, where he was offered the position of Kapellmeister (later taken by Bach); although he turned the post down, he used the incident to negotiate a higher salary, which he spent on more musicians to perform his works. Despite these issues, Telemanns years in Hamburg proved to be the most productive of his career. He became highly involved with the citys intellectual elite, forging relationships with many leading poets who went on to provide the texts for several of his cantatas. He also began publishing his own works, setting up agencies throughout Europe and travelling to Paris in 1737 to halt the flow of unauthorised publications. Taking influence from his surroundings, it was in Paris that he composed his highly popular Nouveaux quatuors (or Paris Quartets), a collection of six suites included in full on this release.

Telemann continued to compose up to his death in 1767; many obituaries mourned his passing, but one simply stated that his name is his eulogy C such was the composers status at the time. Although scholars have attempted to categorise Telemann as a Baroque or early Classical composer, in truth he was sensitive to all styles of the time: every musical innovation of the early 18th century is represented in his works. His highly diverse oeuvre is therefore a pleasure to discover, and these recordings span the entirety of his industrious output. Brilliant Classics is proud to offer this new release to add to its growing collection of authoritative composer editions. It represents excellent value for money, at such a low price for 50 CDs worth of high quality music, featuring renowned Baroque performers, many of whom have already recorded with Brilliant Classics to high acclaim. An excellent gift idea for any lover of Baroque, this edition contains hours of listening pleasure representing the most comprehensive selection of Telemanns music ever released in one set. ת磩

Album List

Disc 01-04 C Tafelmusik

CD 01 C Tafelmusik I (69:47)
CD 02 C Tafelmusik II (58:33)
CD 03 C Tafelmusik III (61:35)
CD 04 C Tafelmusik IV (68:58)

Disc 05-08 C Concertos

CD 05 C Trumpet Concertos I (51:14)
CD 06 C Trumpet Concertos II (39:18)
CD 07 C Oboe Concertos (46:11)
CD 08 C Concertos For Diverse Instruments (57:48)

Disc 09-16 C Overtures

CD 09 C Overtures I (72:07)
CD 10 C Overtures II (71:01)
CD 11 C Overtures III (70:15)
CD 12 C Overtures IV (72:52)
CD 13 C Overtures V (67:29)
CD 14 C Overtures VI (69:45)
CD 15 C Overtures VII (65:10)
CD 16 C Overtures VIII (65:44)

Diac 17-20 C Fantasias, Sonatas

CD 17 C 12 Fantasias For Flute (53:44)
CD 18 C Recorder Sonatas (49:58)
CD 19 C Trio Sonatas For Recorder, Oboe and Basso Continuo (59:09)
CD 20 C Trio Sonatas For Flute, Violin And Basso Continuo (52:14)

Disc 21-23 C Paris Quartets

CD 21 C Paris Quartets I (65:39)
CD 22 C Paris Quartets II (58:01)
CD 23 C Paris Quartets III (52:02)

Disc 24-26 C Cantatas

CD 24 C Bass Cantatas (61:30)
CD 25 C Kantaten aus dem Harmonischen Gottesdienst I (64:59)
CD 26 C Kantaten aus dem Harmonischen Gottesdienst II (68:01)

CD 27 C Ino - Overture in D (53:41)
CD 28 C Passions-Oratorium part I (60:53)
CD 29 C Passions-Oratorium part II (50:53)

Track List






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